The Blog

Nikon D4 - Unfortunately Impressive

I’m in a tricky situation, caught in the middle of an equipment bag restocking. In light of all the new tech hitting the shelves soon, it’s been a priority of mine to prepare my kit with the best-of-the-best for the 2012 shooting season. As gear improves, so does your ability to expand your boundaries. Staying on top of the curve is important in this business.

Nikon have just officially outed the Nikon D4. A 16mp flagship ultra high-end beast of a machine. Brand new sensor, processor, ISO up to 204,800… and there are impressive specs for videographer/cinematographers - 1080p 24fps up to 20 minutes, very high speed sensor read off to drastically reduce rolling shutter, incredible low light performance - it’s looking like a serious entry into the DSLR cinema world.

I’m a little upset with how awesome Nikon are being in regards to a late February delivery. The D4 has been announce months behind the 1D X yet will hit the stores ahead of it by about a month. The only reason I’m bringing up this point is my re-packing of the kit bag requires something new. Something new and amazing. But, there’s a time constraint as well as I have major international projects over the next few months that will require something substantial, and I can’t invest more than I can afford. As of now, the Nikon D4 appears to be coming in time for my travels, and so far promises to be more than enough to satisfy my demands. But being a long-time supporter of Canon, and a huge fan of their equipment, vision and new cinema direction, it’s hard for me to justify I sudden jump. Incase you’re wondering, investing in Nikon wouldn’t mean a full departure from Canon, it would simply be an expansion of horizons.

The 1D X is the camera I want. I’m highly familiar/comfortable with the body (being a long-time 1D MK IV owner) and the new specs look to be ideal for the DSLR filmmaker. Though the photo-specs have heavy weight for me, the filmmaking performance will always take priority when gauging for a sale. There is a certain expectation you familiarize yourself with when committing to a brand. I know how impressive Nikon is, along with many other photo companies, but Canon has always stood out to me. Form, durability and functionality keep me coming back for more. I’ve NEVER had an issue with a Canon product, ranging pro consumer to professional level products. Without the Canon tech, it’s even possible to say my businesses wouldn’t look as they do now… (deep). I’ll keep a close eye on the upcoming test/reviews of the Nikon D4, and honestly I hope it blows my mind! I need to make some hefty purchases quite soon, so now it’s up to who can showoff the most.

Another camera in my top 3-to-get is the NEX 7.

B.

Canon C300 Sensor Explained

Canon has released two white papers further explaining in depth the new C300′s sensor, and the digital signal processing.

1 - SENSOR

Summary: ‘A novel new CMOS large-format single-sensor imager has been developed. It is intended to originate very high quality HD video, and it embodies a number of important technologies that collectively should support the goal to allow image capture that comes closer to the superlative imaging qualities of 35mm motion picture film.’

2 - PROCESSING

Summary: ‘An important new 35mm single image sensor has been developed. It offers video imaging attributes reflective of the most contemporary in CMOS imager technology, and has elevated HD digital motion imaging to a plane that offers a viable creative alternative to 35mm motion picture film.’

The V700 Epson “Miracle”!

I came across a shocking discovery last night which proved my Lomokino could be even more impressive, more so than I even knew to be possible. It all started with my recent return from South America and the need to scan 63 rolls of Lomokino footage. Pretty ridiculous amount of film, but I really enjoy this process and love the aesthetic of the finished product, even more lately. Previously, my go-to scan wonder was the Epson V330 Perfection, which I bought as the bottom-of-the-barrel scanner that would perfectly suite the cheaply made (material wise) lomokino and it’s generally low quality image. And I’ve been using it with total satisfaction, aside from dreadfully slow scan speeds, and really enjoyed the work I was creating. Now as I’ve just returned from a large trip with 63 rolls of film, I’m facing 7 days of straight scanning with the V330, so I decided to upgrade to essentially the top-of-the-line flatbed scanner, the Epson V700 Perfection. Quite a contrast in appearance and cost, and even more to my surprise, optical scanning ability.

This image is from my first batch with the V330, a result I thought to be normal from the Lomokino:

After using the V700 on the same batch, I was shocked to see this:

It’s pretty spectacular how much of a difference we’re seeing in the two images, both scanned off of identical film slides. It’s impossible for me to ever justify using a cheap scanner now as I’ve been blown away by the knew found knowledge of how great the lomokino shots can really look! If you’re knew to the Lomokino/Film Scan game, it’s important to do your research and ensure you have the whole production process on lock - check out the production notes from Lomography.

 

Zeitgeist 2011: Year in Review

Check out this amazing Zeitgeist 2011 year in review!

Hero

Saw this posted in my feed and was literally blown away by the commitment of time and wrist movement, all to complete a one-of-a-kind spectacular modern piece of artwork. The editing and cinematography in the video are also great, which definitely aids in a proper portrayal of this brilliant artist. Have a look!